Archive for the ‘Gig Guide’ Category

The Delines

plus Jerry Joseph

Sunday 21st February 2021

Saint Luke’s Glasgow-

Tickets £20 (plus STBF) from Tickets Scotland

0141 204 5151 and Ticketweb.co.uk

Book Online

Venue Layout- Part seated/part standing

Country-soul outfit, The Delines, return to Glasgow as part of a European tour this coming February with Jerry Joseph support. The Delines who are well known to Glasgow audiences will be returning with new material for this special date with the full line up.

The band hails from Portland, Oregon, where they have been working on new material over the past months before the lockdown which is set to be finished shortly. Look forward to new songs and older classics from their previous albums.

The Delines are led by vocalist Amy Boone( The Damnations, TX), the keyboard and horn work of Cory Gray, as well as Richmond Fontaine members: Sean Oldham, Freddie Trujillo, and Willy Vlautin.

Vlautin, the acclaimed novelist and songwriter for Richmond Fontaine, has penned all ten tracks. Vlautin’s book Lean on Pete was recently released as a major motion picture. Richmond Fontaine broke up in 2016 after releasing over ten records.

Jerry Joseph will be supporting and has just recorded his new album with the Drive-By Truckers featuring Jason Isbell which will be out this August 21st on Décor Records.

The Handsome Family plus Daniel Knox

Saturday 6th March 2021

Community Central Halls Glasgow

Tickets £17.50 from Tickets Scotland 0141 204 5151
and Ticketweb- plus STBF

Book Online

Doors 7.30pm, 8pm start

Venue Layout- Unreserved Seating

Odessa, originally released in 1994 and Milk And Scissors in 1996 will be re-released by Loose Music is 2020 and available for the first time in vinyl.

The Handsome Family have written some of the most haunting and beautiful songs in American music. During a 30-year career, Brett and Rennie Sparks have created songs that transform the mundane landscape of modern life into a place of mysterious portent.

Handsome Family songs take place in parking lots and big box stores, under overpasses and in airports. They sing about Custer’s last stand and automatic lawn sprinklers in the same song. Rennie’s lyrics often focus on the myriad creatures that live at the edges of the man-made world: the sparrows, rats, cockroaches and crows that share our cities.

Kris Drever In Concert

Wednesday 31st March 2021

Saint Luke’s Glasgow

Rescheduled from 29th October 2020

Tickets £16 from Tickets Scotland 0141 204 5151
and Ticketweb

Book Online

Doors 7.30pm, 8pm start

(no support)

 

Photo Genevieve Stevenson

 

Venue layout- Unreserved Seating

Kris Drever is a Scottish folk singer songwriter, who has won multiple awards including an incredible 7 BBC Radio 2 Folk Awards, two shortlist nominations for Scottish Album of The Year (with his trio Lau) and much acclaim for his solo recordings and concerts including glowing reviews from The Herald, The Guardian, Mojo and Q Magazine.

His recent single “Scapa Flow 1919” was nominated for Best Original Track by BBC Radio 2 Folk Awards whilst his (John Parish produced) album with Lau, “Midnight and Closedown” was released in 2019 by Reveal Records to wild acclaim including being chosen in The Best Albums of The Year feature by The Guardian.

Drever’s voice and guitar form a part of the backbone of today’s contemporary roots and folk scene. Hugely admired as a solo artist, collaborator, a phenomenal and prolific artist. Kris has collaborated with Cream’s Jack Bruce, Bela Fleck, Tinariwen, Joan As Police Woman, Jerry Douglas, Danny Thompson, Tim O’Brien, Sarah Jarosz, Shawn Colvin, Phil Cunningham,
Rosanne Cash, Roddy Woomble, Eddi Reader, Adem, Kate Rusby, Julie Fowlis, Karine Polwart, Seckou Keita and many more. One of Scotland’s finest and most in demand musicians.

“The folk revival has a new standard bearer” Q

Della Mae plus support

Tuesday 27th April 2021

The CCA Glasgow

Tickets £16 from Tickets Scotland 0141 204 5151 and Ticketweb

Book Online

Doors 7.30pm, 8pm start

Venue layout-Seated

In the making of their fourth album Headlight, Della Mae has claimed a more daring sense of
freedom than they’d ever allowed themselves before. Boldly breaking genre convention, the
Grammy Award-nominated band pushed beyond their bluegrass roots and followed their instinct to their most sonically adventurous body of work to date. And in lyrics, Della Mae has fully embraced the album’s potential as a platform for change, delivering a collection of songs at turns fearlessly personal and powerfully resonant.

With Gardner describing Headlight as “the record we’ve always wanted to make,” Della Mae views
their newfound lack of restraint as an imperative for the all-female band. “So many things have
happened that we knew we needed to write about, so we shelved old ideas of what we’re supposed to sound like, and just played these songs in the way that felt right,” says Ludiker. Woodsmith adds: “We decided we don’t have to carry the weight of other people’s expectations of who we are anymore. As women living in today’s world, we no longer feel the need to bow down to anything or anyone, and it feels incredibly liberating.”

Della Mae’s first full-length since their 2015 self-titled effort, Headlight matches its raw intensity with an unbridled joy. Their most collaborative work yet, the album features an exceptional lineup of guest musicians, often contributing on instruments entirely new to Della Mae’s output: keys, drums, electric guitar. In striving toward that more expansive sonic palette, Della Mae devoted many months to exploring possible directions for Headlight, then experienced a major breakthrough during a December 2018 writing retreat at MOXE (a women-owned creative space in Nashville). Toward the end of the retreat, the band invited a host of local players for a jam session, and quickly discovered an unexpected chemistry. “I remember going into it thinking, ‘This is going to be so awkward—I don’t know most of these people, I don’t even know how to play these songs yet,’” Woodsmith recalls. “But listening back to those recordings, there’s so much spirit and life. We felt a total lack of inhibition, and it was absolutely pivotal in making this album.”

2nd June 2021: Gretchen Peters

Posted: June 2, 2014 in Gig Guide

Gretchen Peters

Wednesday 2nd June 2021

Community Central Halls Glasgow

Rescheduled from the 10th February 2021

Original tickets still valid

Tickets £25 from, See Tickets, Tickets Scotland 0141 204 5151
and Ticketweb

Book Online

Doors 7.30pm, 8pm start

Venue Layout- Unreserved Seating

For two decades, Gretchen Peters has been one of Nashville’s most beloved and respected artists. “If Peters never delivers another tune as achingly beautiful as ‘On A Bus To St. Cloud,’” People Magazine wrote, “she has already earned herself a spot among country’s upper echelon of contemporary composers.”

Inducted into the Nashville Songwriters Hall of Fame in October 2014 by singer-songwriter Rodney Crowell, who called her “both a songwriter and a poet (who) sings as beautifully as she writes,” and said her song “The Matador”, “moved me so greatly, I cried from the soles of my feet”, Peters has accumulated accolades as a songwriter for artists as diverse as Etta James, Bonnie Raitt, The Neville Brothers, Patty Loveless, George Strait, Bryan Adams and Faith Hill. Her 2015 album, ‘Blackbirds’, debuted at #1 on the UK Country chart and in the top 40 UK pop chart, and was awarded International Album of the Year and Song of the Year.

Chuck Prophet & The Mission Express

plus support

Wednesday 9th June 2021

Rescheduled from Wednesday 27th January 2021

Saint Luke’s Glasgow

Venue layout- Unreserved Seating

Tickets £20 (plus STBF) from Tickets Scotland 0141 204 5151 and Ticketweb.co.uk

Book Online

Doors 7.30pm, 8pm start

Venue layout- Part Seated/part standing

Chuck Prophet is a singer, songwriter, guitarist and producer is getting ready to put out a new album for 2020. Chuck started his wild ride as a kid back in 1984 when Green on Red plucked him out of Berkeley, CA and threw him in the van for an eight year ride and the recording of as many albums. Green on Red were seminal purveyors of American Roots-Rock and broke up in 1992 just before an entire movement followed in their wake. Since then Chuck has recorded thirteen amazing solo albums and toured and recorded with Lucinda Williams, Aimee Mann, Cake.

Bruce Springsteen, Ryan Adams, Solomon Burke, Alejandro Escovedo and Heart have recorded his songs, along with a host of others. Known for his blistering guitar style, which follows in the tradition of such players as Keith Richards and Alex Chilton while Prophet vocal styles have been compared to Dylan and Tom Petty.

Chuck’s never been one to rest on his laurels and ride it out and his last five records have been his best yet. Chuck’s live shows are second to none and has been touring Europe with his band the Mission Express sine the mid 90s with festival slots at Glastonbury, Southern Fried, Summertyne, Azkena, Roskilde etc including a recent Spanish tour with Dylan guitarist, Charlie Sexton in 2019. Chuck will be showcasing material from his new album alongside hits from his previous albums.

 

Lau “Unplugged”

Sunday 29th November 2020

Rescheduled to Sunday 27th June 2021

The Queens Hall Edinburgh

Tickets from The Queens Hall Box Office & Tickets Scotland 0131 220 3234

Book Online

Doors 7.30pm, 8pm start

The pioneering Scottish folk trio have always experimented with sound and form; the results have always been complex and thrilling.
Already acknowledged as phenomenal live performers (‘the UK’s best live band’ – the Guardian), Lau arrived at a new creative peak with 2019’s Midnight and Closedown (Reveal Records). That album was produced by John Parish (PJ Harvey, This Is The Kit), who said: ‘Lau are in touch with their roots but not bound by them’.
Now 2020’s Unplugged concert tour sees traditional music’s most celebrated innovators strip away their banks of electronics, loops and wild effects. The trio of Kris Drever (guitar, vocals), Martin Green (accordion) and Aidan O’Rourke (fiddle) feel drawn to a more raw and plain-speaking aesthetic. The approach is subtler, less about spectacle, more about close listening. In brash and polarised political times, here is the poetry of real instruments and considerate music making.
“Lau are a remarkable band – the most musically adventurous trio in British folk – exquisite and h