Archive for the ‘Gig Guide’ Category

 

 

 

 

 

 

Adam Holmes & The Embers plus special guest Heidi Talbot

Please note due to unforeseen circumstances Baskery are no longer doing these dates.

Thursday 15th November 2018

The CCA Glasgow

Tickets £16 from Tickets Scotland 0141 204 5151 and http://www.ticketweb.co.uk
Doors 7.30pm, 8pm start

Book Online

Saturday 17th November 2018

Cabaret Voltaire Edinburgh

Tickets £16 from Tickets Scotland 0131 220 3234 and http://www.ticketweb.co.uk

Doors 7pm, 7.45pm Start

Book Online

27-year-old Edinburgh-born singer/songwriter Adam Holmes is one of the brightest rising stars on the UK roots music scene, with influences from either side of the Atlantic mixing traditional and contemporary folk with his own brand of soul and Americana.

His first album, Heirs and Graces, was produced by John Wood (producer of all Nick Drake’s albums and John Martyn’s iconic Solid Air album) and mastered by Simon Heyworth (co-producer of Mike Oldfield’s Tubular Bells) and second album, Brighter Still, features two-time BRIT award winner Eddi Reader on backing vocals throughout.

Latest album Midnight Milk was recorded in one room in his Edinburgh flat, but came complete with full brass section, an eighteen voice choir and a widescreen folk/soul/electronica production, which was influenced by a 2016 collaboration he was involved in with Adrian Utley of Portishead, Dominic Aitchison of Mogwai and Martin Green of Lau.

Heidi has been nominated for folk singer of the year and best traditional song by BBC Radio 2, best live act by the Scottish traditional music awards and best female vocalist at The Irish Music Awards.

She has shared the stage and recorded with Eddi Reader, Idlewild, Mark Knopfler, King Creosote, Tim O’Brien and Jerry Douglas.

Radio and Television appearances include BBC Radio 2’s loose ends, Bob Harris, Janice Long, Good Morning Sunday and RTE’s Late Late show in Ireland, CBS This Morning, NBC, and Imus in the Morning, PBS and National Public Radio in the United States.

Heidi recorded her new album Here We Go 1, 2, 3 in the studio in the Bothy neighbouring her house, built in 1779 and set in the heart of the Scottish Borders. The studio was designed by legendary record producer & studio designer Calum Malcolm. Heidi’s new record Here We Go 1, 2, 3 was released on Navigator Records September 2016.

 

 

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Cam Penner & Jon Wood

plus David Latto

Wednesday 21st November 2018

The Admiral Bar Glasgow

Tickets £13 from Tickets Scotland 0141 204 5151
and Ticketweb.co.uk

Book Online

Doors 7.30pm, 8pm start

 

The pair had a sold-out show at Glasgow’s big Celtic Connections Festival after winning major TV exposure when tracks from the sensational To Build A Fire album were chosen as the backdrop to the BBC 2 TV drama based on Iain Banks’ Stonemouth novel.

The follow-up release – Sex & Politics – confirmed them as a creative tour de force.

“Simply superb – an album that’ll be making more than a few end-of-year “best of” lists,” said AmericananUK, while Acoustic magazine called it “totally glorious” and added: “it’s maybe as fine as music’s likely to get.” R2 magazine called it “a work of outstanding genius.”

Penner has that rare quality – a well-grounded human spirit. In another life he might have been a Shaman. With constant playing companion Jon Wood (a highly respected producer) by his side, percussive elements and layered guitar techniques have added rich texture. Those Shamans also dance around – and beat the drum – sometimes.

They will be bringing a brand new album with them. Can’t wait to hear what they have conjured up that that woodland cabin that doubles as their recording studio!

“Quite brilliant” – No Depression

“Stunning” – The Daily Express

 

DAN STUART NEW WEBDan Stuart plus Tom Heyman

Sunday 25th November 2018

The Hug & Pint Glasgow

Tickets £13 from Tickets Scotland 0141 204 5151

and Ticketweb.co.uk

Book Online

Doors 7.30pm, 8pm start

Perhaps how one leaves a party is more important than one’s entrance. Green on Red’s Dan Stuart has chosen to make his ultimate studio recording with producer/guitarist Danny Amis: a founder of both Los Straitjackets and The Raybeats. They both currently reside in Mexico City and have individually worked previously with Twin Tones/Sonido Gallo Negro’s leader Gabriel López at T-Vox Recording. The vinyl LP is a companion piece to a novel by the same name, and the two will be released together this May in one package through Cadiz Music, along with a CD with extra tracks and an audio version of the novel. Both works are a sort of noir travelogue through foreign landscapes real and imagined, sublime and horrific, and question whether love can survive in a world of violence and betrayal. The record is the last of the Marlowe trilogy, with the novel being the second; one can only hope Mr. Stuart will eventually deliver a third book to complete the series and leave the world if not better off, then at least slightly less banal. Dan performs songs from his four solo records plus a host of Green on Red classics.

 

 

Peter Bruntnell Trio plus James Edwyn (solo)


Thursday 29th November 2018

The Admiral Bar Glasgow
Tickets £13 from Tickets Scotland 0141 204 5151

and http://www.ticketweb.co.uk

Book Online

Doors 7.30pm, 8pm start

 

If you ask the likes of Peter Buck (REM), Scott McCaughey (REM, Minus 5), Willy Vlautin (Richmond Fontaine), Jay Farrar (Son Volt, Uncle Tupelo), John Murry, or Kathleen Edwards they’ll all tell you that Peter Bruntnell is a writer with rare and mysterious qualities. Peter has a unique ‘way with a tune’ and the most interesting thing about his music – and part of the reason for his devoted following – is the indefinable knack the songs have of locking into one’s emotions in an elusive, intangible but deeply affecting way.

Respected journalist Keith Cameron once claimed in NME that “Peter Bruntnell’s records should be taught in schools” – such is the particular appeal of the quiet Devonian’s song writing craft.

Off the back of a well-received set at BBC Scotland’s “Quay Sessions with Roddy Hart”, a session for “Another Country with Ricky Ross”, and several sold out trio shows throughout March, July, and November 2017, Peter will (once again) take to the road with a line-up comprising himself on acoustic guitar, harmonica, and vocals, Danny Williams (The Rails, and ex- Black Grape/St. Etienne) on double bass, and one of Scotland’s most in-demand musicians of the moment, Iain Sloan (of The Wynntown Marshals and Blue Rose Code) on pedal steel, guitar, and backing vocals.

An Evening with Lau

Friday 7th December 2018

The Queens Hall Edinburgh

Tickets from The Queens Hall Box Office 0131 668 2019

and Tickets Scotland Edinburgh

Book Online

Doors 7pm, 8pm start

 

 

 

Lau’s final show of 2018 is a chance to hear some of the band’s first new music since 2015’s The Bell That Never Rang (Album of The Year – The Herald, The Guardian) alongside favourites from throughout their career.

New album Midnight and Closedown is set for release in February 2019 on Reveal Records, produced by John Parish – famous for his production and collaborations with PJ Harvey, Eels, Sparklehorse and many more.

Lau’s new music was written in Shetland and continues their experimental approach to folk music. With increasingly stripped-back instrumental arrangements and exploratory song forms, the album deals with timely themes of isolation, togetherness and forgiveness. All three members of Lau have been expanding their compositional horizons and they bring that experience back, making for a musical language that builds on their traditional roots but is unlike anything they’ve done before.

Always a hot ticket, best to purchase well in advance.

Sam Lewis plus Jake Morrell

Saturday 2nd March 2019

The Glad Cafe Glasgow

Tickets £13 from Tickets Scotland 0141 204 5151
and Ticketweb.co.uk

Book Online

Doors 7.30pm, 8pm start

 

After being one of the stand out acts at Glasgow Americana in 2015, we are delighted to welcome Sam Lewis back to Glasgow for his own headline show.

With rich soulful vocals, well crafted songs, roots country and blue eyed soul Sam Lewis is connecting the dots. Whether crossing genres or state lines, he has pieced together a story
people need to hear.

The influence of Ray Charles can be felt from the first note to the last beat, making Sam’s debut a complimentary companion to Charles’ own, two volume Modern Sounds in Country and Western Music. Leaving home as soon as the opportunity arrived, Sam landed in Knoxville, and later Nashville.

Sam’s latest album Loversity is gathering rave reviews, with Rolling Stone Magazine naming him in the “top ten acts to watch this year”.

“Though Lewis has released two excellent LPs, it’s his forthcoming album, Loversity, that might prove to be his breakout moment: everything is a little deeper, a little darker and jams a little longer. And he’s taking a closer look at a country in peril, written with an empath’s heart.” Rolling Stone

Jake Morrell could have come straight out of Nashville, or even from the Californian sunshine, as his music suggests; but Jake is from Norfolk, England!

Jake was ‘discovered’ by Dermot O’Leary, who featured him on his Radio 2 Show. One influential listener just so happened to be Glastonbury boss Emily Eavis, who immediately asked Jake to perform at the iconic festival.

 

 

Blue Rose Code plus support

Thursday 7th March 2019

 

Saint Luke’s Glasgow

Tickets £17.50

from Tickets Scotland 0141 204 5151

and Ticketweb

Book Online

Doors 7.30pm, 8pm start

 

A nomad both geographically and musically, Ross Wilson (Blue Rose Code) writes from the heart – eschewing any specific genre – and the twelve new songs on The Water Of Leith, addressing themes of love, loss, travel, home, accepting the past and embracing the future, are painted with colours of soul, jazz, folk and pop – an eclecticism that has become a hallmark of Blue Rose Code and has seen him compared to John Martyn, Van Morrison and Tom Waits.

Blue Rose Code were recently featured on Loose Ends (BBC Radio 4), the esteemed Quay Sessions (BBC Radio Scotland) was nominated for Scots Singer Of The Year in the MG ALBA Scots Trad Music Awards 2017, won Scottish Album of the Year 2017 and was also listed as one of the Albums of the Year by The Skinny and No Depression respectively.

‘The Water Of Leith,’ Blue Rose Code’s 4th studio album, released in October, has rightfully been praised to the rafters and was recently hailed by The Skinny magazine as their Scottish Album Of The Year 2017.

“An astonishingly accomplished, pure and sincere record celebrating the next chapter, and the happiness and success that this ever-improving, undeniable talent rightfully deserves.” ***** – The Skinny

“For those of you that long for Van Morrison to return to his days of Caledonian Soul or miss the late John Martyn, just switch your affections to Ross Wilson.” **** – Scottish Daily Express

“Male Artist of the Year 2017” – Fatea Magazine

“Another game-changing masterpiece from Blue Rose Code…” – No Depression

Findlay Napier & Megan Henwood

“The Story Song Scientists”

Sunday 10th March 2019

The Glad Cafe Glasgow

Tickets £13 from Tickets Scotland 0141 204 5151
and Ticketweb.co.uk

Book Online

Doors 7.30pm, 8pm start

 

Snape Maltings, Aldeburgh 2016 and Megan Henwood and Findlay Napier are a few hours into an EFDSS run song writing retreat. They are outside drinking their 7th coffee of the morning. Napier’s driven nine hours from Glasgow and is a bit wobbly. Henwood’s back from a month long writing trip to Nashville and she is jet lagged and delusional. “Fancy writing a song about maths?” Napier enquires. And so the seed for this song writing partnership was sewn.

Their collaboration has led to the creation of songs about hermit known as The North Pond Phantom, WBAI host Bob Fass’ lifesaving broadcast on 6th Nov 1971, Georg Cantor’s struggle with infinity, maths and God and something about Shepards and leaders. They are yet to write a song about pickup trucks… or beer.

If ever an artist called on the elements in her song writing, it’s Megan Henwood. The distinguished English singer-songwriter is far too self-deprecating to describe herself as a force of nature, but her third album River reaffirms her unique ability to create roots music of beguiling purity from what’s around her.

One of the finest songwriters and storytellers of the contemporary Scottish folk scene Findlay Napier is an insurgent talent that comes on like a Caledonian Loudon Wainwright. Distilled to artful acoustic guitar and Napier’s remarkable voice his most recent album “Glasgow” captures the timeless essence of one of the world’s great cities.

Rose Cousins plus support

Tuesday 2nd April 2019

The Admiral Bar Glasgow

Tickets £12 from Tickets Scotland 0141 204 5151
and Ticketweb.co.uk

Book Online

Doors 7.30pm, 8pm start

 

Originally from Prince Edward Island, Canada, Rose Cousins lives in Halifax when she’s not touring internationally. Fueled by collaboration she deeply values being part of multiple music communities.

Her 2012 album WE HAVE MADE A SPARK won a JUNO, 3 ECMAs, a CFMA, was long listed for the Polaris Music Prize, and made featured/best of lists in USA Today, NPR and Oprah Magazine. Her music has appeared in several TV shows including Grey’s Anatomy and Nashville.

To make her new record NATURAL CONCLUSION, she enlisted GRAMMY award winning producer Joe Henry. The result is what Cousins calls “the most honest and vulnerable thing” she has made to date.

Rose Cousins is nominated for Songwriter of the Year at the 2018 JUNO Awards, was nominated for Artist of the Year at the 2018 International Folk Awards, and was recently named “Best Artist to Enjoy Quietly” by Halifax’s weekly arts paper The Coast. NATURAL CONCLUSION was nominated for a 2018 GRAMMY award (Best Engineered Album, Non-Classical – Ryan Freeland, Joao Carvalho), is nominated for eight East Coast Music Awards, won two Music Nova Scotia Awards (Americana Album of The Year and Solo Album of the Year), is on Polaris Music Prize’s “Longer List.”

“…an emotional landscape full of beauty and conquest. It is formidable.” No Depression

“It’s no wonder Cousins is the object of audience affection…” The Boston Globe

The Good Lovelies plus support

Sunday 14th April 2019

The CCA Glasgow

Tickets £15 from Tickets Scotland 0141 204 5151
and Ticketweb.co.uk

Book Online

Doors 7.30pm, 8pm start

The Good Lovelies are a Canadian folk/country harmony trio, consisting of Caroline Brooks, Kerri Ough and Sue Passmore. Three immensely talented vocalists and songwriters in their own right; however, it’s their voices interwoven in harmony – powerful and pure, organic and inspiring – that elevates the Good Lovelies from impressive to peerless. Over the course of their decade-plus career, they’ve covered plenty of stylistic ground, adding tinges of pop, roots, jazz, and even hip-hop to their country folk core at various points.

The trio first united in 2006 for a one-off performance and has since compiled a catalogue of four studio albums, a pair of EPs, a live album, and Christmas collection.

Over the course of their decade-plus career, they’ve covered plenty of stylistic ground, adding tinges of pop, roots, jazz, and even hip-hop to their country folk core at various points.

The trio first united in 2006 for a one-off performance and has since compiled a catalogue of four studio albums, a pair of EPs, a live album, and Christmas collection.

Their upcoming collection offers a perfect balance between a more modern production style and the wholesome musical influences that have made them a household name over the years. What’s more, the songs themselves build on the Good Lovelies’ familiar foundation with a widespread appeal.